Experiencing memory, remembering experience: Some remarks on Apichatpong Weerasethakul’s “Memoria”

Tilda Swinton’s film career is saturated with the weird and wonderful. Her broad range, and excellence across that range, is unquestionable. One has only to think that the same person has brought to life Virginia Woolf’s Orlando and C.S. Lewis’ White Witch — or is now a part of the antithetical canons of the Marvel Cinematic Universe and Wes Anderson. Her career is a shining example of how finely one actor can navigate realism and fantasy.